What Buyers Are Looking For in Stock Photos

When you upload your images in stock photo sites, you will soon notice that you will have to place each image in a specific category so it is more convenient for the buyers to find the shots they are looking for. A little bit of browsing through these categories will give you a fair idea of your competition and also what buyers are looking for. Here is a list of popular categories and how your images can hook the interest of the buyer:

People – what better way to reach an audience than by depicting ethnic diversity. There is a high demand in photographs of different cultures, races, genders and creed, young or old, happy or sad. There is a consolidated universal need for such images. Clients prefer candid images to show the more authentic side of everyday life all over the world. Remember that candid does not mean ‘snapshot-ish’ but rather an unposed and more natural feel. When photographing people with recognizable faces, make sure you get model releases to be able to use the images commercially. Being in a natural setting would be ideal, but if you will be working in a studio with models, pay particular attention to details. Make sure that clothing, make-up and hairstyle complement each other and drive home the message you want to convey.

Abstract ideas – it is important that you know the types of abstract concepts that are being used in the market. You can use these as a basis for your creative ideas and add twists of your own. Images depicting concepts that are valued in the market are joy, fear, health, success, and tranquility. It is not easy to present an abstract idea in a visual and clear manner, which is why there is a big market for it. Abstract ideas can also cover a wide range of possible usage, which would mean a big client potential. 

Food and drink – simplicity in food and drink photography is important. Keeping things as simple as possible and avoiding clutter in the shot will allow the viewer to focus on the actual subject. The other props in the photograph should merely support and enhance the dish rather than overwhelm it. Freshness is also a key element. Make sure that if you’re photographing fruits, vegetables or meat that they are absolutely fresh. Images of food that are usually served hot often look better with the inclusion of steam. It is difficult to capture real steam wafting from a hot dish since the dish itself might not be hot after hours of food styling. Fake food steam from a steamer works well as a substitute. 

Abstract – these images are often used as backgrounds for magazine covers, or as pc wallpapers. Texture, shapes, patterns and colors play a big part in abstract images so utilize your composition techniques to show them off in an attractive way. 

Technology and industry – with the steady growth of e-commerce and the internet being more popular than ever, images related to computers and online connections are a constant need in stock photography. Industrial shots are also popular, especially since the world is now very attuned to the effects of technology and industry to the environment. Avoid cliché shots such as computer sockets and wires since these have been done to death. Unless your image is presented in a more creative way, in which case cliché subject or not, it can still entice a buyer. 

Business and commerce – with today’s society focused on work and making money, images of professionals talking on cellular phones and wearing Bluetooth earpieces, images of bills and coins, briefcases, office equipment, board meetings, and the like are very much in demand. Again, it is easy to fall into the trap of cliché shots here such as the businessman carrying a briefcase or a close up of a handshake. These images could be technically perfect but if the visual is too common, it can border on being boring. Try composing the shot in more unique way, maybe change your camera angle or add a prop to make it your own. 

Travel – many travel photographs are used to illustrate many of the travel destinations and leisure spots and there is a never ending demand for new and unique images. You do not have to travel to far-off places to upload great shots. Your own environment will do since what is ordinary and a part of your own geography can be exotic to buyers who live in the other parts of the world. Images of your historical landmarks, of local culture and customs can be a hit so be sure to take photos for stock next time you go around your city or countryside.

Sports and action – sports are a big part of a people’s culture. Images of an athlete’s triumph and defeat bring out a sense of empathy in the viewer. Photographs depicting sports activities fill a need in the niche based market. If you have sports that are popular only in your country, take advantage of this fact by taking a lot of stock photos. There will not be much supply for it and you can be the photographer who can dominate that particular segment. 

Holidays and celebrations – Every year there is a greater demand in images for the holidays such as Valentine’s, Christmas, Halloween and Thanksgiving. Clients have a never-ending need for a fresh source to illustrate every event for different purposes. The great thing about these events is that it is very visual, with all the décor and cheerful atmosphere that seems to envelop everyone. It wouldn’t be hard for you to take photos that are visually appealing and vibrant during holiday season. 

Older adults and kids – Not many photographers like working with young children or seniors. As a result, there is an increase in the demand for clients to use stock photos for images of this kind. When taking stock photos of children and the elderly, make sure they are relaxed and comfortable with having their picture taken. 

Health care – Any image in relation to the field of health care such as doctors, nurses, medicine, and the like are saleable since the market is still wide open for these kinds of images. 

Nature – although extremely popular and with this category near to bursting with images, buyers cannot seem to get enough of nature shots. From insect shots to sunset shots over the ocean, this category is rife with images that appear very similar to each other. Creative composition and lighting are essential in this category if you want to be noticed.


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How to Shoot Halloween Jack-o’-Lantern Photos

Jack-o’-lanterns are one of the most recognized objects that best represents the concept of Halloween. Once a year, pumpkins are not only eaten but are also hollowed out, carved and turned into spooky décor. Carving jack-o’-lanterns can be great fun for the family to do together and the finished product is often proudly photographed in various ways. The following are some proven techniques to shoot jack-o’-lanterns in the most attractive way:

Avoid using a built-in flash – using your camera’s built-in flash is a no-no because it will make the pumpkin appear flat with large areas of burned out highlights. If you want to show what the jack-o’-lantern looks like as a whole, not just the lit up face, you can use available light instead such as sunlight or a porch light. Off-camera flash can also be used and bouncing the light off a screen or a wall can make the intensity softer and more diffused.

Use a tripod – since the shutter is left open for a few seconds, there is great risk of camera shake and the shot might end up blurry if you don’t use a tripod. If you don’t have one with you, you can place the camera on a flat steady surface such as a stack of books or a short table.

Use a long exposure – jack-o’-lanterns look like glowing heads in the dark and to capture the look, the camera shutter speed has to be quite slow. Since the light source is just a few candles and located inside the hollow of the pumpkin, the shutter might have to stay open for more than half a second to capture the carved features and shape. Standard digital point and shoots nowadays have a shutter priority mode which you can use.

Be aware of the background – if you are doing long exposure shots, the background is usually pure black so that all the attention is focused on the lighted pumpkin face. Check the background and see if there are any incidental light such as those coming from the window or nearby appliances that might appear in the shot. If ever you do notice some unwanted light in the background after the shot has been taken, you can remove them in post processing using the healing or dodge tool.

Have sufficient candles – to get adequate light for picture taking, place two or three candles in the pumpkin, not just one. Be sure to place them in spots that are hidden from the carved spaces of the pumpkin face so that there won’t be overexposed areas in the image. These candles will provide backlighting by illuminating the pumpkin head from the inside. With this lighting technique, shapes and edge details are accentuated while the rest of the object is in silhouette.

Play with the scene – you can focus on the carved face by taking close up shots but you can also place the jack-o’-lantern in context with its surroundings. Step back a bit and include the nearby scene such as the steps where the pumpkin is resting or the bucket of candies beside it. You can get great shots by taking pictures at dusk, when the sky still has a hint of light to help illuminate the scene.

Now that you have great looking jack-o’-lantern photos, you might wonder what you can do with them. Aside from being keepsakes to remind you of when you carved some awesomely scary pumpkin faces, you can use these pictures as the cover image of your Halloween cards, or even make money out of them by selling them in photo stock sites. Stock photo buyers are on the lookout for fantastic Halloween pumpkin images and yours may just be what they are looking for.

 


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How to Shoot BOOtiful Halloween Photos

Halloween is almost here and one can feel the excitement in the air! Houses will soon be covered in spooky décor and children and adults alike anticipate a fun-filled night of trick or treating. This is a holiday that is so visually enticing and you can see photo opportunities everywhere you look. Whether you are taking pictures to capture your children’s nighttime jaunt or to cover a Halloween costume party or to get images for your stock photo portfolio, here are several tips to get those eerily fantastic photos:

Have people pose in character – wearing a Halloween costume is a great reason for people, adults and children alike, to act like the character they are portraying. Whether it is as a scary looking zombie or a dainty princess, playing the part is a major part of the fun. This is also a great opportunity to get fun playful poses in your shots. Children usually don’t need to be asked twice to strike a pose in their costumes. Adults might be more shy and hesitant but being in a costume can bring out their inner childlike excitement and will get in on the fun with just a little coaxing from you.

Choose your image orientation –the horizontal orientation or landscape format is most often used, probably because of the camera’s orientation when you hold it. Horizontal is used when your subject is on the wider side such as if you want to include a lot of people in the frame. Don’t forget that you can also shoot in vertical orientation or portrait format. This is great when the subject is on the taller side, such as when taking full body shots to show off a person’s costume in full.

Prepare for low-light conditions – most Halloween shots are taken in the evening and it is always good to be prepared to address this issue. You can take advantage of the ambient or available light in the scene, such as street lights or candle lights from jack o’lanterns, to provide illumination. You can also get more light by adjusting your camera settings. A slower shutter speed or a bigger aperture would let in more light. Another great tip would be to shoot during dusk when there is still a bit of light in the sky. This gives your scene more illumination without it being awash in bright daylight or underexposed in the night sky.

Capture special moments – during Halloween, people bond together to celebrate the occasion. Parents go trick or treating with their children and neighbors interact with other neighbors even if they don’t for the other days in the year. It is an evening of great excitement for everyone so keep your camera at the ready to catch special moments of interaction and connection between people.

Take pictures of the person behind the mask – when taking photos of your child or friend in a Halloween mask, also include shots of them not wearing it. Having their faces visible in some shots makes it easy to identify them in the costumes in later years.

Capture the mood – Halloween evokes mixed emotions in people, from excitement to fearfulness, and sometimes both at the same time.  This is one holiday when it is fun to be scared so try to reflect the mood in your images. Aside from your subject, use elements in the scene such as colors and shadows to help add to the ominous or spooky atmosphere.


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How to Use Props in Composition

When composing, the subject can present a strong image by itself, or it can be enhanced through the use of props. Props are secondary elements that are included in the shot to support the point of interest, not to detract from it. Therefore, much care is taken when introducing props to the scene. There are some questions to ponder on when using props:

What is it for?

Props can help tell the story. They give the viewer information as to what the scene is all about as well as draw attention to the subject. You can also use props to frame the subject or to show scale. A puppy curled up inside a cup will show the viewer just how small the pup is.

Where do I put it? 

Props can be added to create background, foreground or middle ground interest. Certain empty parts of the frame can come to life with the strategic placement of a prop. Props can supply leading lines for the viewer’s eyes to travel and ultimately rest on the subject.

What features does it have?

The subject might be the main point of interest in the shot but that doesn’t mean to disregard the visual appeal of secondary subjects or props. The colors, shapes, lines and textures of props can enhance the overall look of the composition. Just bear in mind that no matter how attractive they look, they still shouldn’t steal the limelight from the main subject.

Can it help with the subject’s pose?

Your dilemma on how to make humans or animals pose more naturally can be eased with the help of props. Certain props may have meaning to the subject and these may act as a security blanket. Children, for instance, may behave better during the photo shoot if given their favorite toy to hold. Animals may be more still if given a prop that holds their interest. Chairs, benches, and other similar types of props may be obviously intended to help the subject pose. But more than that, the right kind of chair or bench can go beyond just merely literally supporting the subject to becoming an element that adds meaning and context to the image.

How else can I use it?

If you use your props in unusual or uncommon ways, they can place your image in a different level entirely. Veer away from the ordinary by making your subject relate to the prop in the strangest ways you can think of. For example, instead of showing the subject sitting on a chair, make the chair lie down sideways and have the subject sit on a leg instead. Strange images can be less commercially appealing but they can catch attention more than the ordinary ones. Also, this flexes your imagination when composing the image, and also the viewer’s when looking at it.  


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Shooting Fireworks

There is something about fireworks displays that can totally mesmerize us. They can be so beautiful yet they last for only a few seconds before they vanish into the night sky. Fireworks also mark special occasions which give them added meaning. They offer photo opportunities for anyone who wants to take pictures of the pretty fireworks, regardless of photography skill.

If you have never shot fireworks before in your life, you might find that is easier than you think to capture them in their glory. As always, it’s best to be prepared even before the first of the fireworks bursts into a million points of light high in the sky.

Use a tripod – this will certainly come in handy since your exposure settings will need a slow shutter speed to capture the light trails of the fireworks. Some fireworks shows can also last for thirty minutes to an hour and holding up a camera can be tiring after a while. A tripod will get rid of chances of camera shake and it will also support the camera so you won’t have to keep holding it. If you don’t have a tripod, you can try to keep the camera as steady as possible by other means such as by leaning against a wall while you’re taking the shot or by placing the camera on a steady and secure surface.

Check your camera’s capabilities – find out if your camera can accommodate slow shutter speeds. This should not be an issue for DSLRs and advanced point-and-shoots but regular point-and-shoots may have limited settings. However, most of them have presets such as fireworks mode or low light mode, and you can try using this to see if the fireworks can be captured by your camera.

Adjust the exposure settings – you’ll be dealing with low light situations where your subject matter is far away. A slow shutter speed is needed to capture the movement of the fireworks from the moment it explodes to when it dissipates. This will generally take a few seconds. If your camera has a bulb setting, you can use that since you will have total control over when you want the shutter to close. Although, the sky might be dark, fireworks can be really bright and there is a big chance of overexposure if the shutter is left open for too long. My advice is to take a few test shots before settling on the shutter speed setting. As for the aperture, a small aperture such as f/8 will be sufficient. A small aperture means a larger depth of field and it also lessens the amount of light that enters the sensor which can again cause overexposure. The lower the ISO settings the better since there will be less grain and noise. ISO 100 should do the trick in this case.

Experiment – the usual fireworks shot is, of course, the fireworks. However, that is not the only thing that can provide spectacular shots. Look at your surroundings and you might discover that there is potential subject matter that can be just as interesting. Take a picture of the crowd, for example, with their features all aglow with fireworks light. Shoot a specific person’s expression as he or she gazes up in wonder. Remove your camera from the tripod and shoot some fireworks. Most likely the light trails will end up squiggly rather than in neat lines but that might just add to the appeal.

Check your shooting area – Stake out your shooting area and check to make sure you have an unobstructed view of where the fireworks will generally explode. Take note that fireworks shows are very popular and can amass a large crowd of people. A lot of them might stand or hold up their cameras high over the heads of other people. The bright LCDs of their cameras or the silhouette of their heads can show up in your frame and seriously mess up your shot. Pick a spot away from the crowd, or at least make sure your lens will not be blocked.

Frame your shot – Consider how you will frame your shot when shooting fireworks. Choose whether to go with vertical or horizontal (portrait or landscape) framing and this is usually decided by knowing which would better suit the image. Horizontal framing takes notice of the horizon, the landscape or scenery while vertical framing accentuates height.  You can shoot the fireworks by themselves or add the surroundings to place them in context.

 


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Essential Tips in Sports Photography

Sports photography is one of the most challenging fields in events photography. It has to capture the pure essence of victory and defeat among the athletes chosen as a subject. The image should be able to reflect the time spent in practice to the actual performance and the glory of winning and the bitterness of losing. The events in sports photography are not random occurrences and a sports photographer should always be at the right place, at the right time and ready to capture a rare moment that can happen in an instant. It takes more than just being present with a camera at any major sports event. You’ll need cunning and a practiced eye as well.

Here are a few helpful tips in getting you started on your way to becoming an accomplished sports photographer:

Know your sport -you have to literally be familiar with the sport you plan on covering. It is necessary that you know more than just the basics of the sport. It’s helpful to know the strategy and the rules of the game to know when athletes are performing considerably well. Knowing the sport you are covering means you are familiar with the structure of the game .It helps to be able to be in the athletes’ shoes and predict what next move is coming. As the saying goes, sports is not just about being physical, it’s a mind game as well. You constantly have to be at the edge of your seat anticipating every move to capture that one in a lifetime moment that could be in the annals of the game’s history.

Keep an eye out for the player that offers more potential to give you the perfect photograph – with everything happening so fast in every sports event, it’s difficult to keep abreast of everything that’s happening around you. Focus on specific players such as the crowd favorites to get some key shots, but don’t forget the rest of the team. Try to capture images periodically in between stretches of a given time. Don’t dwell on the good shots you missed, instead focus on what’s happening at the moment.

Get into the rhythm of the game – learn to switch your attention from one player to the other. Keep to where the action is. Usually the best photos are captured during these moments. Once you fall into the rhythm, opportunities will just fall into your lap.

Know your equipment – whether it’s a professional sport event you're watching or your child’s karate match, make sure you come already acquainted with your camera. Practice makes perfect. You can learn valuable tidbits by volunteering your services at any relative or friends sporting event. So when the time comes that you’re going to start using your skills, you’ve got a lot packing.

Be in position – be strategic with your location when taking shots. Pick a spot that offers an interesting or uncluttered background and where there is less chance of being blocked by the onlookers or other photographers. Know the angle where the light source will shine on the players and situate yourself in the side where they will be best illuminated. 

Take shots for stock photos – if you are out on assignment or are simply covering your child's game, don't forget to also shoot images to be uploaded in your stock sites. These can give you opportunities to earn extra income. Don't just shoot the players but also the field, the goal, the scoreboard, the audience, the decor, anything you can find that might be salable as a stock image.


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5 Super Easy To Do Tips to Improve Studio Shots

1. Use a white card or paper as reflectors for small subjects. Use bed sheets, foam boards or other large flat surfaces as reflectors for large subjects. Mirrors may also be used to lighten dark areas. These reflectors can act as fill light or as additional light if you have only one light source. They can also diffuse the light that hits the subject, therefore lessening the appearance of hard shadows. Best of all, reflectors are easy to acquire since you most probably already have them in your house.

2.  Show the object’s best profile.  If your subjects have shapes or details that stand out, use these as the focus of your shot. Subjects can appear more attractive when positioned in a certain angle. A mug positioned to show the quirky shape of the handle might be a better composition compared to one that hides it. Flowers that are drooping sideways and showing the curve of the stem will look more appealing than those drooping towards the back.

3. Clean your subject beforehand, especially if it is glass.  Glassware and other reflective surfaces have this nasty habit of showing off every grain of dirt and grime in the image. Unless you are prepared to spend time doing major photo editing to heal or clone out those thousands of tiny specks of dirt, the easiest solution is to just thoroughly scrub them off first before the shoot.

4. Move your lights around – don’t be afraid to experiment with the angles of your light. If you do not like how the light illuminates your subject, position the lamp or lamps in different locations. Try placing the light source under the subject or right behind it. By lighting the subject in an uncommon way, the impact becomes more dramatic and you will have a more creative interpretation.

5. Arrange and rearrange your subjects – composition is essential in studio shots because things can look very messy otherwise. Arrange your subjects in visually pleasing ways and if an element seems off or doesn’t seem to complement the rest of the setup, either discard it or rearrange the subjects to make them more enticing. 


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8 Great Ways to Sell Your Stock Photos

The digital age has paved the way for thousands of people to whip out their digital cameras and join the world of stock photography. Online photography marketplaces called ‘stock agencies’ or ‘stock sites’ host your images with the intent to sell them to customers who might need images for personal or commercial reasons. You get paid per image with the stock agency getting a certain commission. It is a very convenient setup for everyone involved, and as such, has garnered immense popularity with stiff competition as the inevitable result. The challenge for the stock photographer is to capture the buyers’ attention for more potential of a sale. Here are some great tips to help you rise to the challenge:

1. Do not scrimp on resolution – most stock agencies have a required minimum resolution size for submitted images. Even if they do not have one, always provide the highest resolution your camera can handle. All stock buyers prefer high resolution images and if your image size is small, it will most probably be ignored. After editing your shot, use ‘Save’ or ‘Save As’ instead of ‘Save For Web’ because this will shrink your image size. Don’t upsize your image, either, since this will enlarge each individual pixel and make them appear visible (pixelation.) Cropping will also reduce image size so avoid it as much as possible.

2. Decide whether to sell macrostock or microstock – there are two kinds of stock sites, namely macrostock and microstock. Macrostock images can be resold to various buyers, with the photographer deciding the price, ranging from a few to hundreds of dollars. The tricky part is to know how to reasonably price the images. One image can earn you a lot of money but sales may occur only once or twice a month. Microstock images, on the other hand, are usually sold for a few cents but there is a much bigger potential for more buyers. Due to volume buying, an image being sold for 25 cents can quickly accumulate a lot of money.

3. Look at your images from a buyer’s perspective – you might believe that all the shots you are uploading as interesting and saleable. Before you begin submitting dozens of photos of your family vacation or your pets, think first if people would want to buy them. Just because you find them pretty doesn’t mean others will find use for them.

4. Check out what’s popular – go to the community or forum pages of well known stock agencies and find out what the current trends are. They usually post suggestions to members as to what the buyers are looking for and this information would be greatly beneficial. Browse over member threads who also often discuss what themes or categories are most often used. You do not necessarily have to be a member of the stock site to read forum threads unless you want to write a comment. Stock sites also regularly post the most popular images of members and you can learn about sought after images based on these.

5. Have a wide range of subject matter – a common mistake people commit when uploading images is to upload the same subject in angles or positions that look similar to each other. Another error is to submit the same image in different treatments such as black and white, full color or sepia toned. Buyers can get easily bored looking at these photos, especially when they are presented side by side. Prune your choices and try to submit only your best two or three of the bunch. Also remember that there are many image categories and you should not limit yourself to only a few. The more image variety you can offer, the more chances of a sale.

6. Have a specialty – with hundreds of subject matter and thousands of photographers to shoot them, it’s no wonder that competition in stock photography is intense. By finding your own specialty or niche, and concentrating on being good at it, you can build a name for yourself in that specific area. What this does is it makes buyers easier to find you and it also gives you an advantage over others in that niche. Whether it is baby portraits or abstract background images, once buyers know you are a cut above the rest, they will keep coming back for more.

7. Be critical of your work – it is only natural to be protective of your own images. After all, you conceptualized them and spent time and effort shooting them. However, you cannot afford to be sentimental once you decide to upload them for selling. Microstock agencies have reviewers who pore over every single image to make sure they meet the site requirements. If they reject your work, learn from the reasons they give. Some stock agencies might allow you to submit whatever image you like. If no one buys your image for months, learn from that lack of response, as well. Be objective with how you see your images. Buyers will not care how hard it was for you to get that shot or how much you love it. If it’s not good, be the first to acknowledge that and do something about it; either find a way to improve it or do not submit it at all.

8. Inspect your image prior to submission – always always (did I mention always?) go over your image with a critical eye before you submit it to the stock agency. Look for photographic imperfections such as the appearance of dead pixels and sensor dust, oversharpening, unintended noise or grain, and awkward compositions. Stock reviewers might reject your photo in the first instance, and buyers certainly are expecting perfect stock images. Anything less will put them off from buying your image.


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Stock Photography – Are you on the Buyer’s Schedule?

There is a commonly overlooked timing factor when shooting stock photography. Often times, photographers will take seasonal shots within the season itself like a box of chocolate in February and a snowy landscape in December. If you are looking to sell stock photography, this is the biggest mistake you can make. You’re too late!

A large market for stock photographers is the magazine industry where a photo buyer’s needs tend to be anywhere between 3-4 months earlier than the actual period. For example, a summer issue for a magazine needs to be written and prepared months in advance for it to be ready for a summer release. They need the shots when they are putting the magazine together, not once the final draft is being duplicated.

In order to assure your best chance at selling stock images, you have to get onto the buyer’s schedule and provide these seasonal shots much earlier.

January – Mid-March

Generally, this is when buyers are looking for materials for their spring issues. Get out there in the first few months of the year and start thinking of anything spring related:

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Keyword Optimization 2: Using Keyword Tools to Organize Your Image Files

Can you imagine sorting through the thousands of photographs you took over the years just to find that one specific picture? That could take you hours or even days without the use of keyword tools. It would be an exercise in frustration.

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